BERLIN & VIENNA
13 LAMBS
13 Lambs is an installation series that I first presented in 2017. The first 13 Lambs installation contained 13 white lambs in plastic bags and a 14th bag containing production waste from the 13 Lambs production. The 14th bag is a reference to the way we as a society treat animals.
This series of works is my first to deal centrally with the topic of spеciеsism and аnti-spеciеsism. We live in a society with a spеciеsist belief system. This means that the laws are interpreted in such a way that animals are things that are below humans and have little to no rights. Antispеciеsism is the opposite philosophy and belief that humans are not above other species and
have no right to еnslаvе, еxploit and kiII other species.
UNPACK REVEAL UNLEASH, OCTOBER-NOVEMBER 2023
TANG CONTEMPORARY, SEOUL, SOUTH KOREA
Tang Contemporary Art Seoul presents Unpack Reveal Unleash, a new exhibition with 7 different artists – Anouk Lamm Anouk, Diren Lee, Guillermo Lorca, Jangkoal, Jonas Burgert, Olga Esther, and YoonHyup – from October 20 to November 25, 2023.
While facing artworks in the exhibition hall, which are created by different artists with different life experiences and insights, you could listen to the stories hidden inside and could feel the presence of contemporary artists. You will finally find yourself looking at the world with a different point of view, along with the artists’ point of views.
POST/PRE LESBIAN JAZZ 10.09.2023-03.12.2023
FRAUEN MUSEUM WIESBADEN
post/pre Lesbian Jazz
frauen museum wiesbaden presents the first solo exhibition in a museum by the winner of the Strabag Artaward International 2021, painter and concept artist Anouk Lamm Anouk. With large-format paintings, drawings, and shaped canvases, across a total of three exhibition levels, the museum, founded in 1984, will be presenting the hitherto most extensive overview of the work of Anouk Lamm Anouk. The pieces explore in a subtle and yet highly expressive way the question of identity, queer intimacy, and emancipation from the customary social pigeonholing; indeed, it is the first non-binary position to go on show in frauen museum wiesbaden.
In paintings, drawings, sculptures, installations, and text pieces Anouk Lamm Anouk explores the meaning of identities and the body in relation to society. In this context, the works do not submit to any ready category either in terms of content or artistically. Rather, they seem to resist any conventional dichotomy, are at one and the same time abstract and yet explicit, silent and yet lucid, reduced and yet highly expressive. They consciously eschew all things concrete or descriptive that usually serve to foster an identity. What holds the artist’s attention is the space in-between, the ultimate non-space that is completely free of and simultaneously free for interpretation and rearrangement.
Anouk Lamm Anouk sees their identity as non-binary and has for a long time focused on issues of queer intimacy, lesbian visibility, and the emancipation from learned patriarchal structures. For all the intensity of the themes addressed, the formal language is subtle and unobtrusive, while also attesting to an immense concentration.
Anouk Lamm Anouk is one of the shooting stars of the young Austrian art scene. After studying Fine Art at Berlin’s University of the Arts and at the Academy of Fine Arts Vienna, they graduated from the latter in 2021. Their solo and group shows have included König Gallery Seoul, South Korea (2023); Fundacja Stefana Gierowskiego, Warsaw, Poland (2022); Hotel Sacher, Vienna, Austria (2021); Austrian Cultural Forum, London, England (2020); and Belvedere21 Museum, Vienna (2014). In 2023, alongside participation in other international exhibitions, Anouk Lamm Anouk will be showing at the 8th International Painting Biennial in Chişinău, Moldavia. In 2021, Anouk won the main prize at the prestigious Strabag Artaward International.
© Text Studio Anouk Lamm Anouk and Frauen Museum Wiesbaden
© Images Janine Erkel Courtesy of Studio Anouk Lamm Anouk and Frauen Museum Wiesbaden
ETERNITY NOW, POST/PRE & SKY HORSES 2022
HELIO TOWER, VIENNA
HELIO TOWER BY BEHF ARCHITECTS (STEPHAN FERENCZY), BUWOG, ART BY ANOUK LAMM ANOUK
© Images Sandro Zanzinger Courtesy Studio Anouk Lamm Anouk, BEHF Architects & BUWOG
LESBIAN JAZZ: MEDITATING IN THE ALPS, AUGUST-OCTOBER 2022
PATRICIA LOW CONTEMPORARY, GSTAAD, SWITZERLAND
Titled Lesbian Jazz; meditating in the Alps, the exhibition features works from two signature series: the figurative vignettes of the artist’s 30-strong Lesbian Jazz suite of works, and abstracts from their Zen-derived post/pre series. Executed in acrylic on Belgian linen in neutral tones, scenes of entwined female forms are juxtaposed with excerpts of poetic text – ‘you above me’; ‘skin to skin’ — in a delicate interplay of word and image. The works speak to the artist’s free-flowing, jazz-like draughtsmanship and their subtle treatment of intimacy — part of a stated aim to make visible the day-to-day of queer life and desire. Elsewhere, paintings from post/pre explore, with circular forms seeming to glow with otherworldly light, emptiness as a portal to a further dimension of thought. With this exhibition, the compositional features of both series appear increasingly related — figuration and abstraction beginning to meld.
© Text Studio Anouk Lamm Anouk & Patricia Low Contemporary
© Images Patricia Low Contemporary & Studio Anouk Lamm Anouk
FROM “ABSTRACTION” TO ABSTRACTION MAY-AUGUST 2022
STEFAN GIEROWSKI FOUNDATION, WARSAW
POST/PRE PAINTINGS FROM ANOUK LAMM ANOUK AT STEFAN GIEROWSKI FOUNDATION, WARSAW
© Images Stefan Gierowski Foundation
SWAN LAKE APRIL-AUGUST 2022
LANDESTHEATER LINZ CHRIS HARING | PETER I. TSCHAIKOWSKY
Swans, 2022, Textile Sculptures, each around 800cm / 315in hight
© Images Jonatan Salgado Romero
FROM ‘ABSTRACTION’ TO ABSTRACTION MAY-AUGUST 2022
STEFAN GIEROWSKI FOUNDATION, WARSAW
GRACE AND GRAVE ARE ONLY ONE LETTER APART MARCH-MAY 2022
STRABAG KUNSTFORUM
The artistic universe of Anouk Lamm Anouk is one at rest in itself, neither binary nor polarizing. Just as their abstract “post/pre” series evolves around the starting point of a circle set on canvas with water, the Ensō, the expression of the moment and of the ephemeral, Anouk seeks balance in their writings, drawings and paintings. Their intuitive method of composition creates a space that is difficult to grasp, where forms and signs create a world of harmony. Whether in abstract works or in “Lesbian Jazz”, Anouk takes a stand for an open society and the enriching lesbian gaze. Their exploration of sexuality, eroticism, rhythm and liberation opens up new spaces of thinking beyond unreflected, culturally shaped perspectives on the threshold between the self and the others. Anouk is oscillating between cultures, creating a world of diversity and inclusion. Their universe eludes hierarchy and patriarchal structures, is characterized by respect and equality and gives us hope for a different, better world.
— Dieter Buchhart 2022 about Anouk´s work and their solo show at STRABAG Kunstforum
© Text Dieter Buchhart
© Images Eva Kelety Courtesy of Studio Anouk Lamm Anouk and Strabag Kunstforum
POST/PRE LESBIAN JAZZ, JUNE-JULY 2021
DIPLOMA SHOW AT THE GREAT MABLE HALL AT HOTEL SACHER, VIENNA
THE VOID IS MY TEMPLE SEPTEMBER-NOVEMBER 2020
Parallel 2019 – September 2019
I MISS THE PLACE WHERE I AM FROM NOVEMBER-DECEMBER 2017
GALERIE STEINEK, VIENNA
„I miss the place where I am from“ ist auf dem Kopf stehend auf einigen von Anouks großformatigen Arbeiten zu lesen, darüber ein Lamm, fallend, schwebend, schwimmend, verloren umgeben von ganz viel Raum der somit viel Interpretationsspielraum schafft. Ein Lamm, das noch lebensunfähig im Mutterleib schwimmen könnte. Grundsätzlich ist das ungeborene Leben präsent. Zumal als Ikone – groß und frei, zumal als einsäumender Diener anderer Motive.
Im Dschungel ihres Œuvres schließen sich bei eindringlichem Betrachten scheinbare Beiläufigkeiten zu ganzheitlich, synergetischen Gesamtstrukturen zusammen. Vielleicht ein Zeichen ihrer Verhaftung im Animismus und Zen-Buddhismus – der Allbeseeltheit.
Wenige Striche, viel Fläche, vielleicht ein Kaninchen, vielleicht ein Lamm, vielleicht etwas dazwischen. Man könnte fast meinen, die Tierformen dienen nur als Platzhalter für zwischenmenschliche Verbindungen. Oder sind sie vielmehr präziser und deutlicher in ihrer Entfremdung?
Die Immanenz spiegelt sich in wiederkehrenden Motiven und Strukturen. „Im Ritual liegt das Potenzial der Veränderung und des Wachstums. Die Wiederholung führt zur Festigung und in dieser liegt wiederum das Liquide der Dinge – das Veränderliche und die Chance. So ist die Wiederholung das Fundament der Entwicklung und daher essenziell für mich. Das Leben besteht ausschließlich aus Wiederholungen, das Leben ist rituell. Atmen, schlafen, trinken, essen – wiederholen“ , sagt Anouk.
© Text Galerie Steinek & Studio Anouk Lamm Anouk
© Images Galerie Steinek & Studio Anouk Lamm Anouk
«I miss the place where I am from» – Das Lamm, das aus den Welten fällt, January 2015
Semperdepot
Textile Sculpture, Black Velvet
© Images Anouk Lamm Anouk & Ira Tomic
SIEHE WAS DICH SIEHT JANUARY-MAY 2014
FRANZ GRAF BELVEDERE21
© Images Belvedere & Anouk Lamm Anouk